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Prince - Blue Line Sale priceFrom £225.00
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Prince - Teal Line Sale priceFrom £225.00
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Prince -Purple Line Sale priceFrom £225.00
Abstract blue pop art portrait of a person in a hat with sharp facial featuresPrince - Cut Blue
Prince - Cut Blue Sale priceFrom £225.00
Monochrome vector art portrait of a person wearing a brimmed hat with intense eyesPrince - Silver
Prince - Silver Sale priceFrom £225.00
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Prince - Gold Sale priceFrom £225.00
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Prince - Mint Sale priceFrom £225.00
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Prince - Pink Sale priceFrom £225.00
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Prince - Purple Sale priceFrom £225.00
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King of Spades Sale priceFrom £225.00
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Prince - Purple Sale priceFrom £225.00
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Prince - Jungle Flower Sale priceFrom £225.00
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Prince - Marine Sale priceFrom £225.00
Silhouette of a head filled with intricate purple and blue geometric floral patternsPrince - Midnight Sunset
Prince - Midnight Sunset Sale priceFrom £225.00
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Michael - Burgundy Line Sale priceFrom £225.00
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Michael - Blue Line Sale priceFrom £225.00
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Michael - Teal Line Sale priceFrom £225.00
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Jackson - Black or White Sale priceFrom £225.00
Vibrant blue pop art portrait of a smiling person with curly hair and defined facial featuresJackson - Blue
Jackson - Blue Sale priceFrom £225.00
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Jackson - Green Sale priceFrom £225.00
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Jackson - Pink Sale priceFrom £225.00
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Jackson - Purple Sale priceFrom £225.00
King of diamonds card design with stylized crown, flowers, and expressive portrait artKing of Diamonds
King of Diamonds Sale priceFrom £225.00
9888579Michael Jackson Silhouette  - Purple Sunset

Styles

Each figure is explored through five distinct studies — a progression not of style, but of
perception.

From the simplest mark to complete integration, each piece reflects a different way of seeing.

What changes is not the subject, but the lens through which it is understood.

ZEROTH

0D — The Origin - minimalist portraiture style
0D = the point of relation that makes perception, value, and meaning possible
Before form, there is presence.

Perception begins not with the image, but with the point from which it is seen — a singular focus, like the pupil against the void. In this moment, the boundary between subject and object softens, and recognition emerges as relation rather than observation.

These works reduce the figure to that encounter a face not as identity, but as presence. Stripped of detail, what remains is the origin of perception itself: the point at which meaning becomes
possible.